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Man <3 Machine - 25 Years of TextielLab
16 January 2026
The exhibition features works by Peter Struycken, Koen Taselaar, Aiko Tezuka, Jan Taminiau, Aleksandra Gaca, Bertjan Pot, Van Eijk & Van der Lubbe, Fransje Gimbrère, Samira Boon, Ursula Wagner and Mae Engelgeer. |
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Aiko Tezuka, Photo by Hanne Vogelaers. |
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An ode to boldness and imagination |
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From first machine to an international hub |
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Mae Engelgeer in the TextielLab. Photo by Patty van den Elshout. |
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Weaving without limits At the heart of the exhibition is computer controlled weaving, the technique that has earned the TextielLab international recognition. Within this process, the interaction between human imagination and digital technology becomes visible. Thanks to their speed and exceptional precision, the weaving machines are able to build complex structures layer by layer, unlocking new possibilities for form, colour and material. |
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Product developer Judith Peskens and Aleksandra Gaca (right). |
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Co-creation To achieve a harmonious colour composition, Miero experimented with a variety of weave bindings, while the advanced weaving machine, thanks to its speed and precision, made an almost infinite range of structures possible. The result is a colour palette that emerges directly from the artist’s intuitive choices, in which technology and creativity seamlessly converge. |
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Boulez 22 - 30 mei 04 - 06 maart 05 - 03.bmp, Peter Struycken. |
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That same synergy between technology and creativity is evident in the pioneering 3D weaving techniques presented in Man <3 Machine – 25 Years of TextielLab. Designers such as Aleksandra Gaca, Fransje Gimbrère and Jan Taminiau deliberately create space within the textile, developing fabrics that are no longer flat but acquire volume, scale and form. This sculptural approach opens up new applications in product design, fashion and material innovation. At the same time, a new generation of artists and designers is given a voice. Young talents, unencumbered by rules or limitations, approach the machines with open curiosity. This attitude works both ways: they inspire experienced specialists to re-examine familiar techniques. What is created on the weaving machines in Tilburg goes on to travel the world — from presentations in Shanghai to museums in New York — demonstrating how local craftsmanship can grow into Art with a capital A, with international impact. |
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Fransje Gimbrére in the TextielLab. Photo by Patty van den Elshout. |
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Danique Klijs, conservator en curator |
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Danique Klijs, Photo by Patty van den Elshout. |
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With thanks to |